Bill O’Reilly – arts & fetters

Dijon pt 4: my theories concerning possessive contractions, marriage, feminism, racism, the relevance of hexameter, sex and music, and why jazz could have only come from America.

I think when I first began speaking French with C, I was trying to suppress how silly I felt by being a bit dramatic about it all, so that when I’d say oui (mostly they don’t say oui, but instead say what I think is spelled ouais) I’d shake one finger in the air andContinue reading “Dijon pt 4: my theories concerning possessive contractions, marriage, feminism, racism, the relevance of hexameter, sex and music, and why jazz could have only come from America.”