Samuel Fuller: The Naked Kiss (1964)

It’s been a while since I really talked out of my ass. Let’s do this! So–briefly, I dedicated my life to filmmaking. I made one film, which was enough to teach me I never wanted to make another one ever again—because filmmaking involves working with other people, and other people suck—specifically, other people who writeContinue reading “Samuel Fuller: The Naked Kiss (1964)”

Hitchcock: The Man Who Knew Too Much (1934)

There’s a technique surely everyone’s now familiar with in suspense or horror films: humor. Often the first part of the film is lighthearted, which serves to…well, you know, make it so that everyone in the audience is really primed to be emotionally demolished. Hitchcock’s actors in the Man Who Knew Too Much included Peter Lorre,Continue reading “Hitchcock: The Man Who Knew Too Much (1934)”

Truffaut: The 400 Blows (1959)

“You take him from here. I’m going home.” It’s those three little words. “I’m going home.” They really strike me as getting to the heart of things in this film. Not in some silly metaphorical sense, I mean, but literally: this guy has finished up at work, though he’s not finished with this particular job,Continue reading “Truffaut: The 400 Blows (1959)”

film: Godard: Pierrot le Fou (1965)

Dear Meg, I really am trying to write. Actually, the truth is that I haven’t begun writing at all. I have all the materials I need to begin writing, but there’s this present lack of something in me that leads me to a persistent inability not only to finding my words, but also to havingContinue reading “film: Godard: Pierrot le Fou (1965)”

novel: Lawrence: The Trespasser (1912)

Lawrence is one of these authors whose books I’ve always collected, but whose work I’ve never really found the courage to read. Where does one begin? It was my mother who handed me a copy of Lady Chatterley’s Lover when I was still a teenager, which was all I ever really received as far asContinue reading “novel: Lawrence: The Trespasser (1912)”

film: Truffaut: Jules et Jim (1962)

Jules et Jim. It’s too great for me to speak of. When I first saw it I was sitting in an uncomfortable chair at a desk in a basement. I thought “what’s so great about this film–there’s nothing special about it.” Perhaps you cannot recognize greatness in anything until you’ve witnessed the vastness of mediocrityContinue reading “film: Truffaut: Jules et Jim (1962)”

art: Impressionism

ever since maya and i began working on our project i’ve been trying desperately to make sense of art. i have a very difficult time giving a proper opinion on works of art, because my sense of beauty is somewhat skewed. when it comes to music all i care about is whether or not theContinue reading “art: Impressionism”